Grant Damon Is A Blog

Lots of things are interesting.

http://grantdamon.bandcamp.com

T (Tasha) (Yoon Mi Rae)

Someday we’ll live in a truly global world where everyone finds out about a brilliant, socially conscious, dancefloor diva, scene-leading, multilingual, multiracial, multitalented rapper/singer like Tasha Reid (aka Yoon Mi Rae, aka T) as soon as she releases her first single. Until then, we’ll all have to waste unexpected afternoons in the library discovering her dirty-synth, autotuned dance tracks, hard-as-nails posse cuts with her husband TigerJK, thought-provoking, Lauryn Hill style throwback tracks, and fully-sung, inspirational ballads (complete with key changes). Seriously, there’s apparently nothing this girl can’t do. Plus she has an awesome baby.

Plus this one: Holy shit. http://youtu.be/oeFz_xNqjKI

Music is good right now

1. M83 - Hurry Up, We’re Dreaming

If all Coldplay songs sounded like “Wait” instead of like, well, all Coldplay songs, people would still like U2. On their new album, M83 lets their always-epic sound stretch out, drift, and flutter more than ever before. With an intro, an outro, and six sketches under 2 minutes in length, this is truly an album, not just a collection of songs. It’s also an utterly enveloping experience, at once comfortingly familiar and entirely of its own world. In other words, it’s an M83 album.

2. Roscoe Dash - “Good Night”

Fader unfairly savaged this song last week, and I don’t really understand why. Sure, I guess you could call the beat from Kane Beatz “post-Watch the Throne,” as overstuffed as it is with snare rolls, looped chants, utterly monstrous bass, and constant (and drastic) changes. But why is that a bad thing? Are we saying that only Kanye and Jay-z can do pomposity? In my opinion, Roscoe kind of does it better. He packs so much Atlanta swag into his recently ubiquitous half-sung, half-rapped delivery that he doesn’t even need to be clever as he says nothing - he can make this track sound massive and triumphant just talking about popping bottles, and he knows it. Plus, you know a song bangs when you can feel the bass in your crappy earbud headphones. I don’t actually know what club would play this song, but I want to go there. 

3. Girls - Father, Son, Holy Ghost


Because sometimes grown-ass indie folks aren’t in a Phil Collins mood, so the new Bon Iver won’t do. Sometimes they want, say, any bluesy rock band from the sixties, seventies or eighties, but with a frontman who sounds so delicate and damaged that you just want to reach through the speakers and hug him. 

Streaming at Hype Machine.

4. Hyuna - “Bubble Pop”

Billboard added Korean charts about two weeks ago, and this single from one of the girls from 4Minute appeared briefly, then fell way down to the bottom of the Top 40. It’s weird, because if there’s one thing this song has, it’s staying power. You start to listen, and it’s maybe a little girly and, well, bubblegummy. Then the “hey boy”s get stuck in your head. Then there’s a dubstep breakdown. Then you get to the outro and realize the beat is basic Toni Basil cheerleader pop, but about fifty times better than that Avril Lavigne song, so you kind of want to listen to it again. By the end of the sixth time through, you’re not even thinking - you just start it over instinctually. This stuff will melt your brain. Plus the theme of the music video seems to be “wearing Daisy Dukes in different places,” so there’s that too. 

The Fucking Jam: SJ Boyz - “501 Levis” (feat. Jam Boyz, Wild Yella)

I got sad a few weeks ago thinking how long it’s been since a new dance came up out of the South and ate my brain. I mean, it’s been a few years since the Stanky Legg, the Ricky Bobby, and Swagg Surfin’. Party Boyz tried last year with Daddy Stroke, but as awesome as just humping the air is, it’s a few steps short of Youtube tribute-worthy (it’s also, accordingly, the only one of these dances I can do).

Is it just that those Jerkin tweens in Los Angeles ruined dance rap by successfully building an entire genre out of a single dance? Or is there not enough room in ground-up hip-hop for anyone but Lex Lugerites, blunted-out weed rap, and whatever the fuck you call the dudes from Odd Future?

Maybe I just haven’t had my ear to the ground enough, because out of Shreveport, LA comes news that the ratchet movement is still going strong. I guess DJ Bay Bay getting cleared of that rape charge was great for the music scene, because this shit is absolute fire. Triggerman sample! Leaning! Stepping! Throwing your head back! The word “Levi-holic!” More Triggerman! The ridiculous hashtag #501s!

As an added bonus, more SJ Boyz - ratchet music borrowing hyphy slang and the universal #swag #swag #swag. Fuck yes.

Swag

“The Toyota Sienna spots have become a Web sensation. The original ad drew more than 7.8 million views on YouTube, and the term “swagger wagon” — coined by the actor playing the father, Brian Huskey — has been adopted by some parents as a generic term for minivans.” - NYTimes

BF: In the Toyota ad, the tone you take is a little harder than you might expect, and that seems to work. Did you experiment with different approaches?
  BH: When they did the audition they said, “These people think they’re likable, but they’re not likable.” The attitude is people who are clinging to the personal image they had of themselves in college a little too tightly. When we shot it, we had a range of “Do it a little less snarky” or “Do it a full-on mean.” - Brian Huskey on Brandfreak

Gucci Mane Is Going Back to Prison, and Waka Flocka Flame May Be Following Him There

I was hoping that 2011 would be the year Gucci stayed out of jail. I was wrong basically immediately. Waka Flocka Flame, too. Things aren’t looking good for 1017 Brick Squad.

This makes me really sad. Either OJ needs to really step it up or Frenchie and Whoo Da Kid need to start actually rapping. I’m kind of hoping that by the time Gucci and Waka’s sentences end, Young Juice has become a global, confident, flow-dextrous superstar who writes them a getting-out-of-jail song that samples Vitamin C’s “Graduation Song.” Because, you know, OJ and Vitamin C? Right?

From NYMag.com

Following yet another probation violation (this one related to a traffic stop in November in which he was pepper-sprayed), Gucci Mane will most likely head back to the big house. The exact sentence is not yet known: Gucci will be at a “medical treatment facility” for 30 days “pending a revocation hearing,” according to his lawyer. Meanwhile, Gucci’s pal Waka Flocka Flame — who is facing charges of possessing marijuana, possessing a firearm by a convicted felon, and possessing a firearm during a crime, as well as breaking the state’s anti-gang laws and driving on a suspended license — has turned himself in to the police. If Gucci and Waka end up in prison at the same time, that’d be a real blow to their crew, Brick Squad. Will Brick Squad’s OJ Da Juiceman be able to bear the brunt of his leaders’ absence on his slim shoulders alone? [XXL, AP]

In Media Res

I just got back from the Barnes & Noble on 86th Street, where I impulsively bought a copy of Jonathan Franzen’s basically-the-My-Beautiful-Dark-Twisted-Fantasy-of-year-end-book-lists novel Freedom and even more impulsively bought a copy of Christoph Niemann’s delightful children’s book Subway.

I bought the former because I’m pretty sure (and by that I mean pretty not sure, but it’s nice to think) that I saw Franzen in the United terminal on my second day trapped at San Francisco International Airport this week. The book jacket says he lives part-time in New York, which I knew, and part-time in Santa Cruz, which I didn’t, so it’s totally possible. Cool beans. Anyway, I figured that if I’m going to tell strangers on the plane that I just saw the dude who wrote Freedom, I should probably read it, right?

I bought the latter as a gift for Sussan, who introduced me to Niemann’s delightful “Abstract City” Blog at NYTimes.com. Niemann uses media ranging from Legos to cookie dough to leaves to coffee stains on napkins to create whimsical, captioned images that are, well, really fun to read through. Subway, which the New York Times insists is spelled with all caps, is adapted from an “Abstract City” piece about his school-aged sons’ love for the New York City Metropolitan Transit Authority subway system. It’s mega-cute.

It’s also pretty closely related to the New Year’s Resolution that I just decided on about fifteen minutes ago as I was walking home from the book store and trying to find a bodega with a decent selection of 22 ounce bottles of craft beer. My resolution this year goes like this: sometimes go out and do more stuff. The emphasis is on the “out,” as I tend to spend far too much time sitting in my apartment, poring over sidebars on NYMag.com and watching “Man Vs. Food,” or at the same several bars near work with people from work, getting drunk enough that the same pre-made sandwiches at the 96th St. CVS seem like new, totally great decisions when i get home.

Not anymore. I’ve got a ridiculous transit system and an unlimited subway card, and this city is full of neighborhoods I’ve barely even heard of. I finished my album halfway through the year and finished my book just before Christmas. I’ve created a bunch of shit, and I’m not feeling particularly motivated to make anything right now, but I get bored if I don’t set tasks for myself. My goal this year is to have a bunch of neighborhood field trips, especially to all those places that my favorite food blogs usually forget to tell me about.

I’m doing well on my resolution so far because I spent the afternoon walking around Astoria, which is a place that I should probably have more friends living in, and would if I just had more friends in general. I got a fantastic slice of spinach burek (well, the only burek I’ve ever had, so it might be lousy as far as bureks go, but it was pretty good as far as $4.50 giant triangles of phyllo and spinach filling go) at the Bosnian mini-chain Djerdan Burek, then a carnitas taco and a chorizo taco from La Espiguita, where I watched Jake Gyllenhall piss his pants in a Spanish-dubbed broadcast of Jarhead as I waited for my food. I ate the tacos on the N train, riding it to the end of the line at the Astoria/Ditmars Blvd. stop. The chorizo taco in particular was one of the best tacos I’ve ever had. The burst of flavor on the first bite was beyond anything I could have expected. Amazing.

I ended up walking around Astoria as it got dark, making my way past streets of delicious-looking restaurants until I arrived at the Steinway M/R stop. I really have no excuse for not spending time in Astoria. Fantastic restaurants, terrific diversity, a total lack of pretension - this is the type of neighborhood that should exist in any decent-sized city in America but is rare in New York, where the forces of poverty and steamrolling gentrification have conspired to rid the land of places that people both want to and can live.

Still, Steinway Street was a little weird. And by weird, I mean really normal. The lower-middle-class urban shopping district, which should be a fascinating phenomenon, has a tendency to look exactly the same in every New York City location not below 100th Street in Manhattan. You have your stand-alone mall stores - Victoria’s Secret, Bath & Body Works, maybe the Gap - your cell phone provider brick-and-mortars (Verizon on the higher-end blocks, T-Mobile on the lower-end blocks), your banks, your Dunkin Donuts/Baskin Robbins combos, your Wendy’s, and maybe your New York Sports Club (on the same block as the Verizon), and then nestled in between them you have your 99 Cents and Up!, your El Mundo Discount, and your sketchy looking furniture stores. And Jimmy Jazz (which I still don’t understand. Why have Jimmy Jazz and Hyperactive? In the same places?). And Game Stop, which is everywhere, because apparently the kids need to have their video games. Anyway, Steinway Street: the first place I’ve ever seen a non-mall Express store.

I like that very few of the shops and restaurants in Astoria are of the farm-to-table, only craft beers on tap, single-source coffee, white person from Ohio-made “ethnic” food variety. I happen to really like those types of restaurants, and streets like Graham Ave in Brooklyn do a fantastic job with them, but it’s nice to have cheap, non-McDonald’s food that isn’t served with a wink by a girl with a nose piercing who went to NYU.

I listened to the Weakerthans as I walked around today, which was nice. I forget how much I like them because tend to mostly listen to them when I’m in transit - walking, maybe sitting on the subway. For some reason, home isn’t the best place for them. I get tired or, when listening to “Virtute the Cat Explains her Departure,” unreasonably sad. Walking around, imagining if I live in a different neighborhood some three and a half years into the future, after law school, they fit into my whole still-cool-but-was-never-really-cool-but-at-least-cares-about-some-things version of myself that I imagine I’m slowly settling into. I’m listening to them now. I’m thinking about being outside and walking around, so it still works.

Plus, with all of the grossly melting piles of snow and slush still around, hearing John Samson sing about Winnipeg is perfect. He makes Winnipeg sound like the worst city in the world, but it makes me want to visit. Some authors create fantastic, living versions of cities - James Joyce with turn-of-the-century Dublin, Charles Dickens with Victorian, underclass London, Philip Roth with postwar Jewish New Jersey - and Samson does the same thing with the drearily cold, boring, alcoholism-enabling Winnipeg. It’s awesome.

I went into a bunch of bodegas I’d never visited before, despite the fact that they’re all within two blocks of me. That’s sad. Geography is weird. We make up boundaries for ourselves and create holes in the landscape, skipping over blocks or refusing to go north while gaining great familiarity with south, or taking the subway every day without ever getting off at one particular stop, to reshape and warp our worlds. My New York is a singular one, completely unlike the New York of neighbors in my very same building. I’m hoping that maybe, before I (likely) move away from here for several years, I can fill in a few of those holes.

Work tomorrow. With the storm and the airport delays, I only made it to one day of work last week, and there’s going to be a lot to do tomorrow. I’m hoping that by next weekend I still have energy.

Wolf Gang - “The King And All Of His Men”

I’m late on this, but it doesn’t matter. This song,  by 23 year-old Brit Max McElligott, is the most joyous song about a troubled relationship I’ve heard in a long time. Scratch that, it’s the most joyous three or four songs about a troubled relationship I’ve heard in a long time.

Every piece of this song is a track-making hook on its own. Dig the wordless choral refrain. Dig the Lion King polyrhythmic drums that come in at 2:30. Dig the 80’s-revival chorus that almost doesn’t fit until it leads beautifully and classically into the choral refrain. Dig the two-part verse: first descending piano chord, then playful guitars to flesh out the sound. Dig the brand-new guitar riff that complements the final run through the chorus.

If David Byrne, Elvis Costello, and Peter Gabriel had grown up listening to The Arcade Fire, Patrick Wolf, and the Killers, this is what we might get. Luckily, Max McElligott probably grew up listening to all of them, and pop music has gained a new star.

Really, Plies? - “She Got It Made”

I guess it was only a matter of time before a rapper sampled Jimmy Buffett (right? No). After all, hip-hop has pretty much everything in common with a privileged tropical country beach bum whose concerts are parties for irresponsibly drunk 50 year-olds and who makes millions off of cheesily-themed tourist trap restaurants.

It still hasn’t happened yet, but we’ve got the next best thing. The new single from Plies (of course), “She Got It Made,” lifts its hook from “Escape (The Pina Colada Song),” that obnoxiously smooth bit of pseudo-tropicalia by British-American singer-songwriter Rupert Holmes (he’s the escaped pedophile in the picture above). It’s the song that even most of the Internet thinks is by Jimmy Buffett, and it’s really one of the worst songs ever.

If I were a woman, Plies would be the last person on earth I’d ever want to date. Still, he makes a very strong case in “She Got It Made.” Instead of the ridiculous yacht club O. Henry story of Holmes’s “Escape” - he’s bored with his wife and answers a personal ad, hoping to escape to a life of fruity drinks and beach sex, only to meet his adventurous mystery woman and discover that it’s his wife, also looking for an escape - Plies keeps it simple: “I’ll buy you Gucci and Prada and fly you all around the world/ Because you’re so much hotter than all them other girls.”

Hot girls, beware. Plies might buy you stuff, but he’s probably going to call you “Wet-Wet” in front of your friends and make you hang out with his goons or whatever. Also, he’s probably going to want to know what you think when he comes out with a single that samples “Cheeseburger in Paradise.” Tell Plies it’s really real, and tell him I’ll see him in the Keys for my 50th birthday.

E-40 feat. Droop-E and Bjork - “Spend the Night”

Yes, you read that right. Droop-E’s totally bangin’ production for this track off the Bay Area legend’s upcoming double album “Revenue Retrievin’” samples Bjork’s a capella album “Medulla.” As a novelty thing alone, this track is worth at least, like, 1430 “loves” on Hypemachine, with some bonus points for being an official release instead of just another Jay-z verse over indie rock.

As an actual song, though, it’s pretty good. Droop-E needs to be working for more rappers than just his dad.

Millionaires - “Stay the Night”

I love trash. Any music that’s dirty or dingy or dusty, ragged or rotten or rusty, or just devoid of any pleasures but the immediate, I tend to love - or rather, lust - with intense passion. Except Ke$ha. For some reason, her chart-topping blend of grrrl-power confidence, “Jack”-dropping hedonism, and texted-in valley girl vocalisms leave me feeling like that anonymous American the terrorists are supposed to hate… except my sinful, hard-partying ways bring no joy.

Enter (or re-enter) Millionaires, the Myspace scene’s former teen queens of low-talent, hard R-rated electro-hip-hop. Hated by emo messageboarders with unparalleled passion, loved by 219,457 last-generation social networkers, and virtually ignored by the pop charts, Millionaires are basically what Tila Tequila would be if she made music (oh god, I forgot about this nightmare).

Anyway, Millionaires are back, apparently with a new EP coming out. Since their last release, they’ve been out-trashed by the taller and louder Ke$ha, seen the website that made them famous become mostly irrelevant, and learned how to turn their OC-accented half-raps into something actually decent.

Seriously, “Stay The Night,” the best of three new songs Millionaires posted on their Myspace page last week is trash-pop gold, with a bubblegum hook and lite-funk club beat that could totally make your trip to Old Navy and some classic, time-tested, sexually suggestive lines delivered with expert detachment (“so let’s just skip the small talk, don’t mean to be a prick, now let’s get down to business, all I need to taste is your… lips”).

Maybe it’s because, instead of screaming “I’ll fuck you up!” like Tila or looking like they actually gargle Jack Daniels like Ke$ha, the girls of Millionaires turned their sexed-up, party-hearty image into what’s basically a harmless cartoon (see above picture), or maybe it’s just because this chorus is so aerobatically undeniable, but Millionaires have totally made me a fan. At least until I can get this out of my head again.